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Manuel Gimón López

Bunker

James Gentles

Charlestown Harbour

Forgotten harbour on Fife's southwest coast, Scotland, UK

March 18, 2011, 14:30 UTC (local)

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© 2011 James Gentles, All Rights Reserved.

Caption

250 years ago this was one of the most important industrial sites in the UK. Local supplies of coal and limestone meant this was an ideal location for the production of lime, used as a mortar since Roman Times before the discovery of Portland Cement. It was produced on an epic scale, finally closing in the 1950s.

The neighbouring village is called Limekilns, and had produced lime for centuries, but landlord Charles Elgin built a new village a mile to the west and built 6, extending to 14, kilns in a manner any industrialist would have been proud.

Built into a 10m (30ft) tall cliff the locally mined coal and limestone is easily transported to the top of the kilns where it is added to the kiln in layers. As he coal burns in the limited oxygen environment the lime is extracted and drops to the bottom of the kiln, where it is removed and shipped out in boats (later a train ran along the quay too).

Once started this is a continuous process, as the workers extract the lime and spoil from the bottom and feed the kiln with new raw material from the top.

Despite its humble, dirty, industrial, beginnings; today this is a quiet, fashionable, place to live by the sea with many fine houses.

Additional Caption: Behind the scene : how this panorama was made ▼


Kite Aerial Photography Gallery

Location

Europe / UK-Scotland

Lat: 56° 2' 6" N
Long: 3° 30' 4.68" W

Elevation: Sea Level + 50m (150ft)

→ maps.google.com [EXT]

Precision is: High. Pinpoints the exact spot.

OpenStreetMap: © OpenStreetMap contributors

Equipment

Nikon 8400 with FC-E9 Lens. Homemade camera cradle/rig, triggered by a gentLED intervalometer. Suspended below a Dan Leigh Trooper kite with 6ft/2m span.

This technique produces two hemispheres, and a different workflow in PTGui from the classic ground pano technique. This results in lower resolution BUT impossible angles!

See the rig, how Kite Aerial Photography is achieved, and the workflow.

Behind the scene : how this panorama was made

The month before WWP I had been introduced to this place by a friend. I filed it for use when the conditions were right.

The challenge with WWP is getting the right wind and the right light within the shooting window. This means the "theme" takes 3rd place so can often be tenuous. With March weather being problematic I took my chance on the first day of the WWP shooting window.

I use different kites for different winds, the lower the wind the bigger the kite. Despite the forecast being for low winds there was a bracing wind blowing out of the west when I arrived at the shoot. I also suspected the wind would freshen as the afternoon progressed so I chose to fly the "Trooper" kite, specially designed for high wind, with a 50foot tail to help stability.

Once high in the sky the kite became stable enough to attach the camera that weighs 1.4Kg (3lbs). Always a nervous time as the fisheye lens has no protection should it touch the ground.

The camera hovered about 3m from the ground and the kite struggled to lift the weight. I nervously persevered for half an hour and the wind increased, soon the camera was 50m (150ft) up and taking pictures as I walked around the site trying to get the NADIR in the best place.

The camera automatically took over 350 images, many were rejected, only one was used for the final picture - hopefully you like the results!
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